Cathedrals will fall, the river will run red... and THE BIRD will be SLAUGHTERED!

REVIEW: The Chamber

– By Sooz Webb

Remember how happy The Beatles sounded when they regaled us with tales of their Yellow Submarine? Tranquil and idyllic wasn’t it? Take that beautiful concept, and imagine it’s compressing in on you, crushing you with it’s inconceivable weight. Suffocating you with it’s inexorable bleakness. Pretty intense huh? That’s just a drop in the ocean, in Ben Parker’s claustrophobic nautical nightmare The Chamber.

When submersible craft pilot Mats finds his rickety rig commandeered by a US special ops team, tension mounts as opinions clash, facts are withheld, and a power struggle over who’s top dog leads to an explosion, resulting in the ship overturning and taking on water at the bottom of the Yellow Sea. Adding insult to injury, the American’s vessel, situated in waters controlled by North Korea, has been bordered, so any chance of outside assistance is gone. Stranded, and facing impossible odds, the human drama begins to unfold, as paranoia, panic and delirium takes hold of the crew. A battle to survive ensues, as the realization that not everyone will make it out alive becomes a stark reality.

It’s not often these days, that we see a film of this scope being made. And by that, I mean in such a tiny, confined area. All of the action takes place within a space where I’m pretty sure the phrase ‘not enough room to swing a cat’ was invented, and quite frankly, if they’d taken a feline on board, it would have only added to the oppressive atmosphere. The tension is high, a fact that can be attributed to the sterling performances of its ensemble cast. Working with slightly dodgy dialogue, Johannes Kuhnke’s level headed Mats is the perfect buffer for Charlotte Salts overly assertive Red. Two captains, with differing opinions on how to undertake a mission, wrestle with the concept that time and tide wait for no man, and that the longer they stay submerged, the less likely it is that anyone will survive. Adding to a powder keg of a situation, is the fiery Parks, played by James McArdle. His stubborn refusal to corroborate with the team heightens anxieties, adding to the overriding sense of menace within the tub. Elliot Levey, who gives a gentle and emotive performance as tech-guy Denholm, is unfortunately identified as a redshirt from the off, his lack of black ops uniform, a visual clue to his characters inevitable status.

As a feature length debut for writer/director Ben Parks, the inventiveness and ingenuitive thinking that’s gone into creating this film is incredibly impressive. Working to a limited budget plays to the films strength, keeping it small, tight and incredibly compelling. While most of the drama comes from the interplay between the cast, there are unexpected moments which catch you off guard, and a jump scare or two for good measure. The films sense of desolation is underpinned by James Dean Bradfield’s gloomy score. Subtly washing over you, or creating chaotic atmosphere, it elevates an already frantic situation to extreme levels.

A slow start gives way to an overwhelming disaster in the drink, with captivating performances and sharp direction literally chucking us into the deep end of the action. An uncomfortable parable about human endurance, which would make the hardiest salty dog queasy with anticipation. Taut, and full of suspense, The Chamber is a gripping thriller which engages and enthralls, a horror which shows us the hell in high water.

 

Leave a Reply

Your email address will not be published. Required fields are marked *

Tickets ON SALE for TRIPLE SIX HORROR FILM FEST!

The Triple Six Horror Film Festival 2017 announces its full line-up for May 27th and 28th at AMC Manchester.

Triple Six is a new international film festival that aims to celebrate everything that is great in new independent horror filmmaking. Showing 9 features and 12 shorts over two days at the AMC cinema complex in Manchester, Triple Six has films from around the world while also having a British backbone throughout.

Full Weekend tickets are on sale from TODAY (April 3rd) and are strictly limited. On sale for just four weeks they allow the holder to see all 9 films, 12 shorts and the live Q&A and are priced at just £30 each and are available HERE.

Read on...
INTERVIEW: David Naughton
untitled It’s not every day you get to speak to the lead actor in possibly your favourite horror film of all time. Especially on a Tuesday. Tuesdays are usually rubbish! David Naughton should need no introduction to horror fans. Back in 1981, An American Werewolf In London had unprepared cinema goers laughing heartily one second and jumping out of their seats in terror the next. Its tale of two young American tourists coming face-to-teeth with a legendary lycanthropic beast perfectly married a genuinely funny script with razor sharp editing, groundbreaking special effects and a flawless cast to create a monster movie that is still many people’s benchmark today Read on...
Advertise HERE!
CQJR7SyWwAADBd_ We currently have advertising space available at very reasonable rates, so if you have a product you want to let people know about then please email us at theslaughteredbird@gmail.com with your needs and we can give you more info. Read on...
The Slaughtered Bird presents BURN!
Burn Slaughtered Bird Creations and Dragon Egg Media’s debut film collaboration, Burn, has wrapped and entered post-production. Our very own short psychological horror – directed by Judson Vaughan, creator of Pedro and the multi award-winning Soul Breaker – was filmed during February in Hertfordshire and north London, UK, over three days. Read on...